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Real-Life Math

Timing directors must be comfortable with figures and basic math. That's because timing requires a great deal of numerical precision.

"It's very important to be pretty good [in math]," says Jon McClenahan. Before starting his own animation studio, he worked as a timing director. "It's basic straight math, but you do need to be pretty good with your additions and divisions and all that sort of thing."

You are a timing director. You are working on an animated commercial that is 30 seconds long. A soundtrack will run for the entire length of the commercial. And the supervising producer wants to punctuate certain parts of the soundtrack with movements by the characters.

He wants a sharp, bold movement -- in this case, a kick -- every 12 frames. How many kicks will the animator have to design? And how long will the final reel be?

Here are some of the things you need to know.

Every second of animation is a combination of 24 individual frames.
You can fit 16 frames on 1 foot of film.

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